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It was about 25 years ago, and I was standing barefoot in my east coast studio. Facing me was a large 20 X 25 foot white wall, with the exception of some splattered evidence of past works in progress. On this wall I was preparing to use an opaque projector to enlarge some Charles M. Schulz drawings. I was attempting to make them the familiar scale of my 20 foot skeleton paintings, of the past few years, for a deeper investigation.

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